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UPCOMING EXHIBITION

LUCENT: women treading lightly

12 March – 15 April 

Opening Event 19 March 6pm - 8pm

Artists: Chris Byrnes, Helen Dunkerley, Penny Dunstan, Emma Florence-May, Annemarie Murland, Dan Nelson, Mandy Robinson, Niomi Sands, Belinda Street, Linda Swinfield, Lezlie Tilley, Patricia Wilson-Adams  

This exhibition aims to shine a light for those women artists who are not so easily heard above the clamour of “immediacy art”. These are women who work in the regions, who live lives on the periphery and those with very little profile despite having dedicated their lives with passion and integrity to art. We are women, old and young, mothers, partners, professionals and artists, all caught up with the vicissitudes of busy lives but in no way diminutive intellectually or aspirationally.

Here we highlight the art of a group of women who “treads lightly” in that there is a profound quietness and a sense of comtemplation to be found in the works shown. There is also an integrity that is manifest in attention to technique, the free expression of ideas and the use of a wide range of materials.

Women artists almost never see themselves as being heroic nor do they aggrandise, but rather they work with their truths embedded in the experiential and/or their hard fought for beliefs and understandings. They fly under the radar. Here our artists are engaging with a range of concerns and are able to tell their unique stories - letting the light shine in.

Robinson Mandy at the end of the tunnel ink on paper 2024.jpeg

Mandy Robinson, at the end of the tunnel, pen and ink on paper, 2025

about the curator

Patricia Wilson-Adams was brought up on an isolated sheep property in the New England region of N.S.W. and it is this environment that has informed her work throughout her life.

 

Education: National Art School, Sydney MFA from the College of Fine Art, University of N.S.W.

She worked at Atelier 17 in Paris and has worked in print workshops all over the world, often as artist-in-residence. She has exhibited prints and sculpture in many major regional galleries, with a major survey exhibition, stain me with the intensity of black at Newcastle Art Gallery in 2018.

 

Patricia Wilson-Adams had a long career as an academic at The University of Newcastle where she taught Printmaking, Drawing and Sculpture electives. She was supervisor to many PhD and MFA candidates.

She works in sculpture, installation, and print media and is an arts writer.

Pleaching 2020 (4) adjusted.jpg

Patricia Wilson-Adams, Pleaching, blackbean seed pods, copper and hardwood, 2021

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